Globalization excludes territory, carries out universal spirit as more emphasizing univalence rather than multivalence. In architectural context, universal perspective is just at doubt in its capacity to respond epoch challenge. Modernity proliferating into diversity of life aspects causes architecture attaint to hegemonic status not rich of colours, texture, ornament, and not rationalistic. Tectonic aspect in architecture is expected to be able to uplift locality dignity rooted from existing culture, nature, and material resource. This research is done with a qualitative, deductive and verificative method with study object of architectural work already available. Field observation result refers to a theory setup deductively from journal collections studies; expert is opinion so that it results in tectonic variable formulation in architecture. Research object selected is architectural work to explore tectonic architecture, known adept at exploring natural potency and local cultural riches as well as material usage of local building. A result obtained is a comprehension on tectonic in architecture and all aspects constituting it. A comprehension gained is tested to architectural work with perspective up to their implementation in the field. Finally, it concludes that tectonic aspect in architecture can be a creation alternative of locality architecture in Indonesia.
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Tectonic in Architecture in Capability of Capturing Epoch
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ICCOMSET 2018
IOP Conf. Series: Journal of Physics: Conf. Series 1179 (2019) 012096
IOP Publishing
doi:10.1088/1742-6596/1179/1/012096
1
Tectonic in Architecture in Capability of Capturing Epoch
Naniek
Widayati Priyomarsono, R Surya, D
S
Budiman
Department of Architecture, Universitas Tarumanagara, Jakarta, Indonesia
naniekw@ft.untar.ac.id
Abstract. Globalization excludes territory, carries out universal spirit as more emphasizing
univalence rather than multivalence. In architectural context, universal perspective is just at
doubt in its capacity to respond epoch challenge. Modernity proliferating into diversity of life
aspects causes architecture attaint to hegemonic status not rich of colours, texture, ornament,
and not rationalistic. Tectonic aspect in architecture is expected to be able to uplift locality
dignity rooted from existing culture, nature, and material resource. This research is done with a
qualitative, deductive and verificative method with study object of architectural work already
available. Field observation result refers to a theory setup deductively from journal collections
studies; expert is opinion so that it results in tectonic variable formulation in architecture.
Research object selected is architectural work to explore tectonic architecture, known adept at
exploring natural potency and local cultural riches as well as material usage of local building.
A result obtained is a comprehension on tectonic in architecture and all aspects constituting it.
A comprehension gained is tested to architectural work with perspective up to their
implementation in the field. Finally, it concludes that tectonic aspect in architecture can be a
creation alternative of locality architecture in Indonesia.
1. Introduction
To make it architectural, meaning that to speak language with space and gatra, with line and plane,
with a material and lace atmosphere, it is natural that individual is supposed to be architect in culture,
with the inner feeling (nurani). To make it architectural means to make it cultural, thus it is suitable
that Mangunwijaya known as a cultural with the inner feeling and responsibility to yield architectural
work not only having 'utility' but also having an 'image'. Architecture is not only a problem of
concept, philosophy, and macro level thinking but must be also supported by sufficient knowledge via
micro level namely tectonic [1].
To make it architecture for Mangunwijaya is to do activities, including as craftmen. Mastery on
making-process from mastery of characteristic and trait of building material. Each architectural work
must be honest in expressing a meaning as set forth in it. Basic principle of Mangunwijaya's work is: 1)
Simplicity in forms of; 2) To build as low as possible; 3) Building material is as light as possible
mainly on the the above section; 4) building separation with complex function to be an independent
building, its form is not plural. Thus, his work becomes more meaningful since there is story on the
plan and story on the process of embodiment [1].
Prijotomo in his writing as introduction maker of Pangarsa's book entitled, "Complexity of prasaja, in
architecture of humankind" tells that; each architecture is complexity including many aspect and
activities done by an architect in his or her work. Based on thinking and that discussion it is clear that
tectonic is main aspect in architectural work produced, mainly on the encounter (connection) from
ICCOMSET 2018
IOP Conf. Series: Journal of Physics: Conf. Series 1179 (2019) 012096
IOP Publishing
doi:10.1088/1742-6596/1179/1/012096
2
material in accordance with its character with full aesthetic, it is expected to be able to capture epoch
development [2].
2. Material and Methods
Data study is based on field survey result and some writing of books, journal media, social
communication media (internet), as well as interview result with user and guard in three study objects
namely; 1). Church of Santa Maria Assumpta in Klaten; 2). Residence of Arief Budiman in Salatiga,
both are works of Romo Mangunwijay; 3). Gallery of Cemeti as work of Eko Prawoto, explained
consecutively to start from:
Figure 1. Research Interpretation Framework
Study of Theory
Tectonic in
Architecture
ARCHITECTURE
Tectonic of
Kenneth Frampton
Tectonic of
Romo
Mangunwijaya
Tectonic of
Eko Prawoto
[1,2,4,7]
Some of Architectural Work
Identification of Architectural Work
based on:
1. Established work
2. Tectonic aspect
3. Locality Meaning [4,5,6]
Field Data
*
Maria Assumpta Church * GKI Sokaraja
* Wisma Kuwera * Rumah Seni Cemeti
* House of Arief Budiman * House of Djaduk Ferianto
THEORY
1. Spatial Compilation
2. Connection Detail
3. Local Material
4. Harmonious on
environment
5. Simple with Local
Condition [7,8,9]
FIELD DATA
a. Building History & Object
Location
b. Spatial Compilation Processing
c. Construction Detail/Structure
d. Spatial-Shaping Element (wall,
flow, roof, etc.)
e. Expression, Building Display
Result Between
Meaning &
Locality In
Tectonic Architect
ICCOMSET 2018
IOP Conf. Series: Journal of Physics: Conf. Series 1179 (2019) 012096
IOP Publishing
doi:10.1088/1742-6596/1179/1/012096
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3. Results and Discussion
Table 1. Research Perspective Diagram
S U B J E C T
S T U D Y O B J E C T
ANALYS I S RESU LT
Ch ur ch o f Ma r i a As su mt a Kl at e n
,
A r c h i te c t o f Y B M a n g u nw i ja y a
Sketch shape, (Spatial Compilation)
(Replaced diagram in English)
Javanese house concept has 3
groups of composed space:
Dalem (worship/faith
foundation) as link of human
being with God. Pendapa
(people's space) as link of
human with human.
Siti Hinggil (garden) as link
of human with nature,
Linear spatial organization
continues from entry door to
room of siti hinggil, pendapa,
dalem ends into panti imam
(altar )
Cultural value and local
tradition in affiliation
with religious value
values of people's life
(Javanese) providing
tectonic meaning in
architecture on spatial
context
Utilization of Local material sources,
natural, cultural and social l environment
in the vicinity locally
Material used is all from
local environment by
utilizing craftsmen's creation
and craftsmen therefore
cultural element and tradition
as well as social of people are
most Javanese in affiliation
jointly to yield new creation
full with aesthetics and
symbol (meaning)
All building materials
include furniture are
formal local material left
behind to process into
new creation uniquely
and typically.
All of craftsmanship
creation including
hanging-light except
bulb is from industry
Residence of Arif Budiman in Salatiga
A r c hi t e c t o f Y B . M a n g u nw i j a y a
Sketch Space ( Sp a t i a l C o mp ilation)
Has an arrangement of spaces
in groups with four building
masses with bridges and
stairs
Presence of building
follows field contour,
which is quite steep,
This building with open
concept toward,
Environment with moist
tropical climate
ICCOMSET 2018
IOP Conf. Series: Journal of Physics: Conf. Series 1179 (2019) 012096
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doi:10.1088/1742-6596/1179/1/012096
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Construction Detail, structure and other elements
Building setup with concrete
frame structure & wood with
roof of pelana
Having many structure
detail and construction
showed as like that.
Beautiful, stiff and
Strong in expression
emerging from
connection produced.
Honestly shows up from
each elements
B u i l d i n g d i s p l a y e x p r e s s i o n
S i m p l e a n d n o t s a l i e n t
The shape of the building is
saddle-roofed with a two-
storey system which is
basically the floor
open produces the impression
of the building, floating and
united with the lush trees
creating a truly beautiful
tropical atmosphere.
Dynamic mass is formed
on a full contoured
landlush trees create a
comfortable, comfortable
home atmosphere,
especially from the
physical aspects of the
building
Process of building architectural creation
in n ov a ti v e,
Crea t i ve, a nd a e stthi c s .
By bringing in workmen
directly in the field without
drawing a blueprint. Works
that are rich with creativity
and creation of material
processing and the value of
beauty created therefore
make this building very
inviting attention to be
observed and studied its
beauty and strength
Development process is
done by providing local
material processed
instantly in the field.
All construction and
setting of each building
are employed by
creation of craftsmanship
and craftsmen good up to
now
ICCOMSET 2018
IOP Conf. Series: Journal of Physics: Conf. Series 1179 (2019) 012096
IOP Publishing
doi:10.1088/1742-6596/1179/1/012096
5
A r t H o u s e o f C e m e t i ,
A r c h i t e c t b y E k o P r a w o t o
Sketch Space ( Sp a t i a l C o mp ilation)
It has a composition of
spaces with traditional
nuances that combine with
modern nuances. The face as
space receiver of joglo
building with limasan roof.
The showroom at the back
has a shape according to its
modern industrialist function.
Tectonic is produced
since blend of traditional
quality and modern
quality, Coupled contrast
and harmony
Construction Detail, Structure, and other elements
Structure detail and building
construction are displayed or
exposed to show as the way
as it is and reasonable from
system. Based on
each/individual material
character. Wood and
bamboo are in a receiving
building, mirror, and concrete
on building of display
Material treated as the
way as it is in
coincidence with
utilization value and also
has beneficial value to
have esthetics, Effort of
respecting tradition and
culture of Yogyakarta is
displayed by presenting
joglo coupled with
modernity
Ut i lization of l ocal ma t e rial sourc e ,
natural environment, culture, local, and
s o c i a l
Material utilizes local
material rooted drom
environment of Yogya city.
All materials uses wood
substance bamboo, coal, and
glass
The aspect of locality
was felt when entering
the Cemeti Art House.
All appear openly
(shown) to become
architectural works that
are rich with aesthetic
values and meaning in
accordance with their
roles
Bui l d i n g d i s pl a y e xpre ssio n simple and not
s a l i e n t
Pyramid-formed roof
becomes a receiving which
displays from Panjaitan
street, In illustration of its
The expression of
Cemeti Art House as an
Art Gallery appears
simple unlike most art
ICCOMSET 2018
IOP Conf. Series: Journal of Physics: Conf. Series 1179 (2019) 012096
IOP Publishing
doi:10.1088/1742-6596/1179/1/012096
6
existence in Yogyakarta city
(culture) but it displays with
a building character in city
galleries, but behind the
simplicity, there are local
characteristics and
typical identity of
Javanese culture tradition
strong in the midst of
modernity dynamics of
Yogyakarta society
4. Conclusion
Result of discussion on tectonic in architecture based on theoretical study investigated on observation
object in the field shows that tectonic in architecture always presents meaning and a strong loyalty
aspect on design and work of architecture. The latter is realized and spatial compilation processing
creation (sketch organization), structural design and construction on building with material used in
accordance with trait and its characteristic. Honesty realized through reasonableness displays each
architectural element as the way as it is so that it has its beauty by itself. All is seen on building display
as expressed started from designing process to establishing into an architectural wok since there is
living vales in it.
Meaning and locality aspect in tectonic architect can be lifted as characteristic and identity of each
architect's works since architect potency can be identified and characterized design notions. In relation
to technology advance and modernization flows thus they can be creative capital to yield architectural
work full of meaning with locality aspect characterized and identified in accordance with cultural
values and nation tradition supposed to conserverd and developed.
5. References
[1] Mangunwijaya Y B 2009 Introduction to Architectural Form Cultural Science. Introduction of
Philosophies Branches as well as Practical Samples (Jakarta: PT Gramedia Putaka Utama)
[2] Pangarsa G W 2008 Architecture for Humanism, Teropong Visual Culture for Eko Prawoto
Design (Surabaya: PT. Wastu Lanas Grafika)
[3] Bharoto A M 2009 4
th
International Symposium of Nusantara Urban Research Institute (NURI)
"Change + Heritage in Architecture + Urban Development" Semarang: Department of
Architecture of faculty of Engineering of University of Diponegoro
[4] Frampton K 1995 Studies in Tectonic Culture, The Poetics of Construction in nineteenth and
twentieth Century Architecture (Cambridge Massachusetts: MIT Press)
[5] Juniwati A and Widigdo C W 2003 Dimension of architectural Technique 31 120-123
[6] Pangarsa G W 2006 Red and White Architecture Nusantara (Yogyakarta: Andi Offset)
[7] Octavia L 2013 Thesis of Program Magister of Expertise of Theory, History, and Architectural
Criticism Surabaya: Department of Architecture of Faculty of Architecture and Civilian
Engineering and Planning of Institute of Teknologi Sepuluh November Surabaya
[8] Pratikno P 2013 An Arcitect Who Re-reviews Architecture of Y.B. Mangunwijaya (Yogyakarta:
Andi Publisher)
[9] Rumah Seni Cemeti 1999 The Tectonic Architecture of Y.B. Mangunwijaya Jakarta: The Japan
Foundation.
- Kenneth Frampton
Estudio sobre la arquitectura de los siglos XIX y XX, cuyo autor traza su historia como la del desarrollo de la poética de la estructura y la construcción. El recorrido atraviesa el estilo neogótico y a seis de los principales autores de la arquitectura de esos dos siglos: el norteamericano Frank Lloyd Wright (1869-1959), el belga-francés Auguste Perret (1874-1954), el alemán Ludwig Mies van der Rohe (1886-1969), el estoniano-norteamericano Louis I. Kahn (1901-1974), el danés Jørn Utzon y el italiano Carlo Scarpa (1906-1978), cuyas obras muestran cómo para ellos la forma de la construcción y el carácter del material fueron elementos integrales para el desarrollo de sus personales expresiones arquitectónicas.
Introduction to Architectural Form Cultural Science. Introduction of Philosophies Branches as well as Practical Samples
- Y Mangunwijaya
Mangunwijaya Y B 2009 Introduction to Architectural Form Cultural Science. Introduction of Philosophies Branches as well as Practical Samples (Jakarta: PT Gramedia Putaka Utama)
Architecture for Humanism, Teropong Visual Culture for Eko Prawoto Design
- G Pangarsa
Pangarsa G W 2008 Architecture for Humanism, Teropong Visual Culture for Eko Prawoto Design (Surabaya: PT. Wastu Lanas Grafika)
Change + Heritage in Architecture + Urban Development
- A Bharoto
Bharoto A M 2009 4 th International Symposium of Nusantara Urban Research Institute (NURI) "Change + Heritage in Architecture + Urban Development" Semarang: Department of Architecture of faculty of Engineering of University of Diponegoro
- A Juniwati
- C W Widigdo
Juniwati A and Widigdo C W 2003 Dimension of architectural Technique 31 120-123
Thesis of Program Magister of Expertise of Theory, History, and Architectural Criticism Surabaya: Department of Architecture of Faculty of Architecture and
- L Octavia
Octavia L 2013 Thesis of Program Magister of Expertise of Theory, History, and Architectural Criticism Surabaya: Department of Architecture of Faculty of Architecture and Civilian Engineering and Planning of Institute of Teknologi Sepuluh November Surabaya
- P Pratikno
Pratikno P 2013 An Arcitect Who Re-reviews Architecture of Y.B. Mangunwijaya (Yogyakarta: Andi Publisher)
The Tectonic Architecture of Y.B. Mangunwijaya Jakarta: The Japan Foundation
- Rumah Seni
Rumah Seni Cemeti 1999 The Tectonic Architecture of Y.B. Mangunwijaya Jakarta: The Japan Foundation.
Thesis of Program Magister of Expertise of Theory, History, and Architectural Criticism Surabaya
- Octavia
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